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Creative director Stephane Park launched Aesther Ekme in June 2016, just a few months after graduating from the Royal Danish Academy of Fine Arts where she specialized in leather accessories. Before that, Park spent time at Parsons in New York and worked in the accessories division at Alexander Wang. Aesther Ekme’s Fall collection includes eight silhouettes including a bucket shape, cross-body, clutch, sac, and pouch. The color palette is neutral with hues like military green, burgundy, and gray, and the price point ranges from about $260 to $580. The embossed logo is purposefully difficult to spot and Park chose not to include any visible hardware on the bags. Simple design elements are at the core of Aesther Ekme’s aesthetic. Park grew up in São Paulo, Brazil, and because of this she says that her eye, “is drawn to rawness when it comes to design.” She adds, “I was surrounded by Brutalist architecture and one of my favorite architects is Lina Bo Bardi—her buildings are monumental but not over-imposing, with clean lines but concerned with function.” That idea of strong minimalism pretty much sums up the m.o. of this cool กระเป๋า CHARLES & KEITH สะพายข้าง new bag line. The pieces are utilitarian and wildly fashionable all at once. As Park explains, “We took great care in the practical aspects of our designs, considering weight, proportion, and comfort, allied with a sense of a temporal refinement in every detail.” As we’ve seen with brands like a Mansur Gavriel, it’s those little details that can make or break an It bag. Simple seems to be the draw these days and, coupled with exquisite design, this is where Aesther Ekme is right on the money.

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We also have three pretty major collaborations coming up this year working with a major pro-weed media platform, the artist Virginia Sin for a holiday collection, and also with Love + Destroy , an up-and-coming Brooklyn designer specializing in 3-D printing. We also are getting involved with other friends in the cannabis industry here on the East Coast, to host exclusive underground infused dinner parties and concerts. Everything is about experience right now." What functional concerns come into play when designing cannabis accessories? "We mostly have to take flame and clumsiness into consideration when designing. Heat, dancing — and sweating — plus jumping in the pool with your jewelry on: That all might happen when using our designs, so we have to create really durable pieces." Have you encountered any negative feedback regarding the more-than-a-head-shop price points? "It's funny, we've mostly had people say we aren't charging enough! People have also asked if they can get jewelry pieces covered entirely in diamonds. On the flip side, we've had a few younger followers on Instagram mention the price being too steep for them, so we are working on a collaboration with Love + Destroy on a limited-edition jewelry piece so everyone can get a piece of Asche." Do you think the fashion industry has been receptive to cannabis usage? "In my view, creatives and the fashion-forward [community] have always been toking up and have been pretty open about it. It's just getting more press now because I feel it's the next creative and industrial revolution in the U.S.

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